All PULIGO, Domenico Oil Paintings
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PULIGO, Domenico Portrait of a Lady agf oil painting


Portrait of a Lady agf
Painting ID::  8699 		Artist: PULIGO, Domenico
Painting: Portrait of a Lady agf
Introduction: Oil on wood Royal Collection, Windsor
   
   
     

 

 

 
 

 

 

 
PULIGO, Domenico Portrait of a Woman Dressed as Mary Magdalen oil painting


Portrait of a Woman Dressed as Mary Magdalen
Painting ID::  28893 		Artist: PULIGO, Domenico
Painting: Portrait of a Woman Dressed as Mary Magdalen
Introduction: mk65 Oil on panel 24 3/16x20 3/16in Pitti,
   
   
     

 

 

 
 

 

 

 
PULIGO, Domenico Portrait of Piero Carnesecchi oil painting


Portrait of Piero Carnesecchi
Painting ID::  28894 		Artist: PULIGO, Domenico
Painting: Portrait of Piero Carnesecchi
Introduction: mk65 Oil on panel 23 7/16x15 9/16in Uffizi.
   
   
     

 

 

 
 

 

 

 
PULIGO, Domenico Portrait of Pietro Carnesecchi oil painting


Portrait of Pietro Carnesecchi
Painting ID::  44398 		Artist: PULIGO, Domenico
Painting: Portrait of Pietro Carnesecchi
Introduction: Oil on wood, 59,5 x 39,5 cm
   
   
     

 

 

 
 

 

 

 
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     Check All PULIGO, Domenico's Paintings Here!
     Italian Painter, 1492-1527 He trained in Florence with Ridolfo Ghirlandaio and in the workshops of Antonio del Ceraiuolo ( fl 1st half 16th century) and Andrea del Sarto. What may be his earliest surviving work, the Virgin and Child with St John (c. 1513; Rome, Pal. Venezia), reflects the style of Ghirlandaio. Other early paintings, however, such as the Holy Family (Florence, Gal. Corsini), show the influence of Fra Bartolommeo and Andrea del Sarto and are little affected by Ghirlandaio. The Virgin and Child with the Infant St John (c. 1522; Florence, Pitti) clearly reflects the examples of Fra Bartolommeo and Raphael, with the figures in the manner of Andrea del Sarto. The figure of the Christ Child may derive from Raphael's Madonna of the Pinks (c. 1507-8; Alnwick Castle, Northumb., on loan to London, N.G.). Over a dozen drawings have been attributed to Puligo, but none relates to his extant work or resembles his style of painting. Vasari described him as a particularly lazy artist, which may account for this scarcity of drawings and for the frequency of borrowed motifs and repeated compositions in his smaller religious paintings. Such borrowing often resulted in a lack of harmony in his compositions, as in the Pitti Virgin and Child. The influence of the more sculptural forms of Andrea del Sarto's work of the 1520s can be seen in the Mary Magdalene (c. 1525; Ottawa, N.G.). . Related Artists to PULIGO, Domenico : | LUINI, Bernardino | John William Edy | Jean-Franc Millet | HOLBEIN, Ambrosius | Claes Dircksz.van er heck |

 

 

 
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